Not many bands live up to the power and innovation of their first
albums.
Few are able to maintain their originality and improve their music
with incredible melodies and powerful riffs. The new two-disc album
(the second disc contains music videos from singles off the first
CD), In Keeping Secrets of Silent Earth: 3, from the ever-great Coheed
and Cambria, falls slightly short in keeping up with its predecessor.
The band’s most recent effort contains amazingly catchy songs,
strong, evocative lyrics and lead singer Claudio Sanchez’s vocals,
which are widely known for their uniquely high range. But this album
fails to overcome the potency and inimitability of their first album,
The Second Stage Turbine Blade.
The band seems to have adapted more of a poppy approach to this album.
One can hear clapping-along-with-the-beat during the sixth track,
“Blood Red Summer,” and more refrains and back-up vocals
by Sanchez on a majority of the tracks throughout the album.
The album should not entirely disappoint fans who truly enjoyed the
previous one, as the lyrics range from positive to progressively darker
and mysterious with flippant twists, which tend to draw attention
to Sanchez’s symbolic approach to writing. There are powerful
lyrics and melodies similar to those heard on Second Stage’s
“Junesong Provision,” and the album is far from being
a failure. Also, the musical content of some of the songs is advanced,
which is similar to the old material, such as the tracks, “The
Crowing,” and “Three Evils: Embodied in Love and Shadow.”
Finally, the album does not go without the legendary reference to
the “Newo That I Love.” As heard on Coheed’s previous
album, as well as in songs from the days when the band was known as
Shabutie, Sanchez’s obsession with the character “Newo,”
who is supposedly his former love, is evident. Claudio continues his
song writing based upon the sci-fi storyline about two characters
named Coheed and Cambria and maintains this idea throughout this album,
like in Second Stage Turbine Blade.
There is evidence of creativity and style in In Keeping Secrets of
Silent Earth: 3, but the band does not enhance its music, and the
expectation of its album to exceed the remarkable influence of their
first is not fulfilled. Nevertheless, this album is worth buying,
and the style is still essentially original. Just don’t expect
it to surpass the first, because no one, not even Coheed and Cambria
themselves, can do the first album justice.