Disney fairy tale comes full ‘Circle’
with Broadway adaptation
By TERRI SWAN
Copy Editor
Talk about an
adaptation. When the Disney animated classic The Lion King was turned into a
Broadway show, the creators really broke the mold; in fact, they shattered it.
The award-winning
adaptation is a truly wonderful spectacle, and the audience becomes mesmerized
by what is happening on the stage from beginning to end.
It is easy to see
why the musical has won so many awards—six Tonys, including Musical of
the Year and Director of the Year in 1998, making director Julie Taymor the
first female in history to be recognized.
The show is housed
on West 42nd Street in the New Amsterdam Theatre, which is a treat in itself
with intricate carvings on the walls and ceilings.
The show starts as
the movie does, with the birth of Simba, the lion who will be king, and the
singing of “The Circle of Life.” It is arguably the best and also
most meaningful song in the production since the cycle is the main theme of the
story.
The opening may be
one of the most amazing parts of the show because it is when Simba is introduced
to the creatures of the kingdom.
For this scene, all
the animals must be out on the stage. Their animal costumes surprise and
impress viewers because they are so intricately designed. Those on stage
include lions, zebras, cheetahs, gazelles, giraffes and a huge elephant that
comes down the aisle on the floor and garners a collective gasp when the
audience sees it. It is hard to believe that they are actually actors.
“We wanted to
create puppets and masks that allowed the energy to come directly from the
actor, so when we started to design, we began with the human figure,”
said Michael Curry, mask and puppet co-designer. “An actor’s
movement to be articulated through a puppet may sound like a simple concept,
yet it took a team of hundreds of people over 34,000 hours to achieve our
goals.”
Although the show
follows the story of the original movie, some additional scenes were included.
For example, Simba’s friends Timon and Pumbaa are in the show to make
people laugh, so there are some extra scenes with the two that serve as comic
relief.
In addition to the
added scenes, there are many new songs in the production. One of the best ones
is “He Lives In You,” which is sung twice during the show. It is
powerful and serves to make Simba realize that his father’s spirit will
always be with him and that he must go back to his kingdom to reclaim his
destiny.
The score itself is
composed of many different sounds that blend together to make a beautiful
listening experience.
“The Lion King
music represents a huge range of ‘world music’—from Western
scoring techniques to African chorales,” said Mark Mancina, who wrote
additional music and lyrics for the show and produced the score.
Take this into
consideration: according to Mancina, over 19 types of wood flutes alone were
used. This shows how much goes into the music of the show to make it sound the
way it does.
The cast of The Lion
King did an exceptional job of portraying their animal characters. However, the
best part of the show was 9-year-old Jeremy Maleek Leggett, who played the
young Simba in his Broadway debut. He was an excellent singer for such a young
age and really seemed to act just like a lion cub would, bringing an excitable
and curious quality to Simba.
The audience
included everybody from young children to senior citizens who either brought
their grandchildren, or were simply there to enjoy a great show. This proves
that, just like the movie, The Lion King has a strong message and is
entertaining to people of all ages.
As Taymor said,
“The challenge was to take this epic film, to find its essence and to
make it theatre.”
The creators of this
magical Broadway show have done just that, finding the movie’s essence
and turning it into a truly wonderful production.